“Come brother Opie!”

نویسندگان

چکیده

Joe Bray, “‘Come brother Opie!’: Amelia Opie and the Courtroom” (pp. 137–162) This essay examines how Opie’s lifelong fascination with human drama of courtroom is reflected in her fiction, specifically tales that revolve around trial scenes. Focusing on three examples particular, “Henry Woodville” (1818), “The Robber” (1806), Mysterious Stranger” (1813), it argues fictional courtrooms encourage an emotional engagement part both characters narrators, which turn can be extended to reader. In case Stranger,” a character figurative throughout, narrator reader frequently dark as motives. As result, judgment hazardous uncertain. Through sympathetic representation passions vicissitudes experienced by all those context, whether real or metaphorical, fiction develops model readerly participation adds new, affective dimension traditional accounts relationship between early-nineteenth-century literature law.

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Eugene Lindsay Opie.

Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences.

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ژورنال

عنوان ژورنال: Nineteenth-Century Literature

سال: 2021

ISSN: ['1067-8352', '0891-9356']

DOI: https://doi.org/10.1525/ncl.2021.76.2.137